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dc.contributor.authorTaylor, Solomonen
dc.date.accessioned2021-11-18T21:19:39Z
dc.date.available2021-11-18T21:19:39Z
dc.date.issued2020-12-01en
dc.identifier.uriarchives.northwestu.edu/handle/nu/57445
dc.descriptionArticle published in the 2020 Harvest Journal.en
dc.format.extent3 pagesen
dc.format.mediumWebpageen
dc.language.isoenen
dc.publisherNorthwest Universityen
dc.relation.ispartofseriesNU Harvest Journalen
dc.rightsThis original work is protected by copyright. Copyright is retained by the author(s). Works may be viewed, downloaded, or printed, but not reproduced or distributed without author(s) permission.en
dc.rights.urihttp://archives.northwestu.edu/page/copyrighten
dc.source.urihttps://nuharvestjournal.org/harvest2020/2020/11/25/east-is-up-an-analysis-of-twenty-one-pilots-use-of-movement-and-cardinal-directionsen
dc.subjectTwenty One Pilotsen
dc.subjectCardinal pointsen
dc.subjectMusic industryen
dc.titleEast is Up: An Analysis of Twenty One Pilots’ Use of Movement and Cardinal Directionsen


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