dc.contributor.author | Taylor, Solomon | en |
dc.date.accessioned | 2021-11-18T21:19:39Z | |
dc.date.available | 2021-11-18T21:19:39Z | |
dc.date.issued | 2020-12-01 | en |
dc.identifier.uri | archives.northwestu.edu/handle/nu/57445 | |
dc.description | Article published in the 2020 Harvest Journal. | en |
dc.format.extent | 3 pages | en |
dc.format.medium | Webpage | en |
dc.language.iso | en | en |
dc.publisher | Northwest University | en |
dc.relation.ispartofseries | NU Harvest Journal | en |
dc.rights | This original work is protected by copyright. Copyright is retained by the author(s). Works may be viewed, downloaded, or printed, but not reproduced or distributed without author(s) permission. | en |
dc.rights.uri | http://archives.northwestu.edu/page/copyright | en |
dc.source.uri | https://nuharvestjournal.org/harvest2020/2020/11/25/east-is-up-an-analysis-of-twenty-one-pilots-use-of-movement-and-cardinal-directions | en |
dc.subject | Twenty One Pilots | en |
dc.subject | Cardinal points | en |
dc.subject | Music industry | en |
dc.title | East is Up: An Analysis of Twenty One Pilots’ Use of Movement and Cardinal Directions | en |