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dc.contributor.authorJones, Haleyen
dc.date.accessioned2021-11-18T21:19:39Z
dc.date.available2021-11-18T21:19:39Z
dc.date.issued2020-12-01en
dc.identifier.uriarchives.northwestu.edu/handle/nu/57450
dc.descriptionArticle published in the 2020 Harvest Journal.en
dc.format.extent1 pageen
dc.format.mediumWebpageen
dc.language.isoenen
dc.publisherNorthwest Universityen
dc.relation.ispartofseriesNU Harvest Journalen
dc.rightsThis original work is protected by copyright. Copyright is retained by the author(s). Works may be viewed, downloaded, or printed, but not reproduced or distributed without author(s) permission.en
dc.rights.urihttp://archives.northwestu.edu/page/copyrighten
dc.source.urihttps://nuharvestjournal.org/harvest2020/2020/11/25/that-wonderful-sensation-of-being-known-a-look-at-critical-race-theory-the-teen-activist-protagonist-and-the-use-of-culture-in-jenny-hans-to-all-the-boys-ive-loved-beforeen
dc.subjectLiterary criticismen
dc.subjectYoung adult literatureen
dc.subjectCultureen
dc.titleThat Wonderful Sensation of Being Known: A Look at Critical Race Theory, the Teen Activist Protagonist, and the Use of Culture in Jenny Han's "To All The Boys I've Loved Before"en


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